Simon Jaquemet Opens Up About AI Challenges and His Adaptation of ‘The Lifecycle of Software Objects’

Swiss filmmaker Simon Jaquemet, recently celebrated for the world premiere of his film “Electric Child” at Locarno, is contemplating an adaptation of Ted Chiang’s novella “The Lifecycle of Software Objects.” This novella, first published in 2010, is known for its intricate and thought-provoking narrative, which Jaquemet finds highly compelling. His previous work, “Story of Your Life,” served as an inspiration for Denis Villeneuve’s acclaimed film “Arrival.”

Jaquemet is also exploring the possibility of venturing into television, considering a series set in the same universe as “Electric Child,” but set after the events of the film. “In a series format, there’s the opportunity to delve deeper into the narrative and challenges that a film might not fully capture,” Jaquemet explained.

In the meantime, his current film, “Electric Child,” is likely to spark serious debate. The movie follows Sonny and Akiko, a couple whose world is turned upside down when their newborn falls gravely ill.

Sonny, who works with AI, seeks help from an advanced artificial intelligence to save their child. Jaquemet reflects on the rapid advancements in technology and its implications: “I started thinking about this film long before ChatGPT was introduced. It’s astonishing how quickly things have evolved.”

Jaquemet, who participates in the Ai4 art contest at a Las Vegas AI conference, expresses mixed feelings about technology. Despite his fascination and use of AI, he is concerned about its impact on employment and societal disruption.

“Electric Child” blurs the lines between human and AI, raising questions about human interaction with artificial intelligence. Jaquemet draws inspiration from science fiction that delves into metaphysical concepts rather than relying on special effects, citing Stanisław Lem’s works as serious influences.

The film, produced by Michela Pini, Aurelius Eisenreich, and Jaquemet, and co-produced by various international entities, explores themes of human emotion and technology. Jaquemet emphasizes that the film’s core theme, the illness of the newborn, is crucial to its narrative and reflects broader questions about the pursuit of immortality through technology.