Action comedies often operate within a narrow range, typically featuring lackluster shootouts punctuated by quips from former “Saturday Night Live” cast members. However, with “Jackpot!,” director Paul Feig breathes new life into the genre by focusing on elaborate stunt sequences that are as humorous as they are thrilling.
Imagine Awkwafina camouflaged among the wax figures in a cheesy Hollywood museum or ex-wrestler John Cena fending off a group of martial artists with Awkwafina strapped to his back.
The film centers around a somewhat far-fetched premise involving a drastic rule change in the California lottery. By 2030, winning the lottery means surviving until sundown; otherwise, the prize is forfeited. The winners must pass a dangerous game in Los Angeles, where their prize turns into a bounty for anyone daring enough to claim it.
Rob Yescombe’s screenplay, though inventive, struggles with coherence and relies heavily on the cast’s improvisation and amusing fight scenes to carry it. Feig introduces the lottery’s lethal stakes early on, yet it’s puzzling why Awkwafina’s character remains clueless when her number is drawn.
Awkwafina plays Katie Kim, a former child star reluctantly thrust back into the spotlight. After finding a winning ticket during a humiliating audition, she quickly becomes a media sensation. Enter Noel (Cena), a bodyguard with a knack for dramatic entrances, who aids Katie in evading her so-called “fans” while also demanding a cut of her winnings.
“Jackpot!” hints at a Hollywood satire, reflecting on American fixation with fame and wealth. Katie’s disinterest in either, having found the ticket by chance, adds a layer of irony to the film’s exploration of societal obsession. The film features a solid comedic ensemble, including Allison Jones’ well-chosen cast and cameos from Machine Gun Kelly and others.
Despite its predictable twists, the film’s success hinges on Awkwafina’s ability to deliver physical comedy, complemented by action choreographer James Young’s inventive routines.
Feig, known for his past successes like “Bridesmaids,” comfortably navigates this genre blend, employing familiar techniques while leaning on his cast’s improvisational skills. Although “Jackpot!” might not break new ground, it showcases a comedic energy that makes Awkwafina’s performance memorable.