Tim Blake Nelson is gearing up to film a dramatic Western titled “Shoot” in Spain, with Guillermo Navarro, known for his work on “Pan’s Labyrinth,” at the helm. Navarro, a frequent collaborator with Guillermo Del Toro, won an Academy Award for his cinematography on the 2006 fantasy film.
Nelson discussed the film’s relevance, stating, “Westerns evolve to reflect their cultural contexts. Films like ‘Yellowstone’ and ‘Power of the Dog’ show how each generation brings its unique perspective to the genre. Our story examines the corrupting influence of power through the lens of firearms.”
He emphasized the film’s contemporary script, which stays true to the Western tradition while maintaining a modest budget. “Westerns are known for their grand landscapes, but they don’t need exorbitant budgets. We created ‘Old Henry’ with just $1.2 million, proving that a powerful story can thrive without extensive visual effects.”
Nelson also shared his enthusiasm for reprising his role as Samuel Sterns in “Captain America: Brave New World,” a role he last portrayed in 2008’s “The Incredible Hulk.” He expressed his relief and excitement about returning to the MCU, saying, “I was devastated by the thought of not returning to the Marvel universe. Getting the chance to continue the character’s journey after 18 years was deeply fulfilling.”
Reflecting on Marvel’s impact, Nelson defended its importance despite critiques from figures like Martin Scorsese. He believes Marvel films, while not aiming for profound art, are still a vital form of cinema that brings joy and escapism.
Currently at the Locarno Film Festival as a juror, Nelson is also showcasing “Bang Bang,” an intimate drama directed by Vincent Grashaw. In this film, he portrays retired boxer Bernard “Bang Bang” Rozyski, a role demanding physical and mental preparation. Nelson compared his experience to working with Daniel Day-Lewis on “Lincoln,” noting how it transformed his approach to acting.
Nelson’s career highlights include roles in “O Brother, Where Art Thou?” and “The Ballad of Buster Scruggs,” as well as his directorial debut with “O.” He reflects on how his work continues to address timely social issues, despite the challenges facing indie cinema.
“Films shouldn’t chase approval. Characters like the one in ‘Bang Bang’ are crafted to capture audiences, even if they aren’t conventionally likable. We need a thriving arthouse scene in every major city, and I’m committed to both participating in and creating remarkable films.”