Margaret Menegoz, renowned for producing the work of celebrated directors like Michael Haneke and Wim Wenders, has passed away at the age of 83.
Menegoz was a pivotal figure in the film industry, renowned for her leadership of Les Films du Losange. For 46 years, she ran this prestigious production and distribution company with a passionate commitment to independent filmmaking and new talent.
Born in Hungary in 1941 during World War II, Menegoz grew up in Germany. Her film career began after meeting her husband, Robert Menegoz, with whom she traveled globally to make documentaries. Joining Les Films du Losange in 1975, she started as an assistant to esteemed directors Eric Rohmer and Barbet Schroeder, who co-founded the company in 1962. Menegoz quickly advanced to become the company’s manager.
Under her guidance, Les Films du Losange garnered remarkable accolades, including an Oscar and three Palmes d’Or at Cannes. The company built a distinguished library of around 100 films, such as Haneke’s “Amour,” which earned the Palme d’Or, an Oscar, and a Golden Globe; “The White Ribbon,” another Palme d’Or winner; Rohmer’s “Le rayon vert,” which won the Venice Golden Lion; and Agnieszka Holland’s “Europa Europa,” which received Oscar and Golden Globe nominations.
Menegoz was known for her comprehensive involvement in every aspect of filmmaking. In the 1980s, she launched a theatrical distribution division and later established an international sales division.
In a statement to Variety, Les Films du Losange expressed their deep loss: “Her mantra was, ‘A film is not made to be on a shelf. It is made to be seen, always and everywhere.’ Her work made Les Films du Losange a standout in production, distribution, and international sales. We deeply miss her distinctive voice and unique accent.”
Menegoz also led the film promotion organization Unifrance from 2003 to 2009, enhancing the international reach of French cinema.
Her passing has been mourned by many in the European film community, including Daniela Elstner, current managing director of Unifrance and a former colleague. Elstner praised Menegoz’s global influence and her role as a trailblazer for young women in cinema.
“Margaret didn’t just work internationally; she embodied it. Her productions and approach will forever reflect her vision and passion,” Elstner said. Despite stepping down and selling Les Films du Losange, Menegoz’s legacy continues to resonate within the company’s auteur-driven ethos.