Aunjanue Ellis-Taylor Advocates for More Representation: ‘The Supremes at Earl’s All-You-Can-Eat’ Highlights Hollywood’s Curiosity Gap About Black Women

When Aunjanue Ellis-Taylor came across the script for “The Supremes at Earl’s All-You-Can-Eat,” she was quick to embrace the opportunity to star in the historical drama. Even with a career spanning over thirty years, she seldom finds roles that meet the Bechdel test.

The film, which premiered at the Martha’s Vineyard African American Film Festival (MVAAFF) on Wednesday, is adapted from Edward Kelsey Moore’s bestselling novel. Directed by Tina Mabry, it provided Ellis-Taylor, Sanaa Lathan, and Uzo Aduba with a rare chance to portray a story that is seldom depicted on screen.

Ellis-Taylor reflects on the general disinterest and lack of exploration into the lives of Black women, describing “The Supremes” as a response to this issue. The film, set in a small southern town, tells the story of three lifelong friends—Odette (Ellis-Taylor), Clarice (Aduba), and Barbara Jean (Lathan)—who lived their lives together. Their bond is challenged by various mid-life trials and tragedies that threaten to tear them apart.

Director Tina Mabry, introduced to the project by Gina Prince-Bythewood, found the narrative deeply familiar and genuine. “Reading the book was like seeing reflections of my own life and the lives of those I know,” Mabry explains. She emphasizes the film’s focus on portraying women over a span of 30 years and their friendships, addressing a void in cinematic storytelling.

Despite a tight production schedule and obstacles like COVID-related delays, Mabry was committed to fostering a supportive environment for her cast and crew. She emphasizes the importance of creating a space where actors feel secure enough to fully explore their roles.

The film’s portrayal of its characters, including Clarice’s journey and sacrifices, adds depth to its exploration of friendship and life’s challenges. Aduba reflects on how playing Clarice taught her about the personal cost of neglecting oneself for others.

“The Supremes” carries the same rich, textured storytelling as classic films like “Waiting to Exhale” and “Fried Green Tomatoes.” Lathan notes the importance of depicting both the struggles and strengths of her character, Barbara Jean, and the need for authentic representation of women throughout different stages of their lives.

Ellis-Taylor highlights the rarity of such roles for Black women and the broader implications of representation in film. She expresses gratitude for the chance to be part of a project that challenges industry norms and addresses historical and cultural gaps.